A short biography of Viktor Astafiev. Viktor Petrovich Astaf'ev - famous Radian writer Russian writer Astaf'ev

The biography of Viktor Astafiev is a clear example of how scary it is to cut one’s share. simple people the revolution and the events associated with it. The legends of childhood and youth have been depicted in their works - they have a book of stories about their turquoise relatives. Most of them perished on the way to Siberia.

Considering the biography of Viktor Astafaev, it is impossible not to guess about the origins of the war that began in 1941. But I think the writer didn’t talk about it as richly as he did about rural life, and the novel “The Cursed and Killed” was never completed.

Miroshnik's family

The biography of Viktor Astaf'ev began in 1924 - a difficult time for all of Russia, especially for the villagers who lived before the birth. The Mayday writer was born in the village of Ovsyanka, Yenisei province. These edges of the wines are described more than once in your works. Astaf'ev was the great-grandson of a miroshnik - a hundred-year-old man, who, to the core, no longer understands. Prada was immediately kicked out of the house, and then sent all the way to Siberia. On the way, the old Miroshnik died.

The cheerful grandfather of the future prose writer suddenly welcomed his son. In this manner, he handed over the life to Peter Astaf'ev - a drunken, unimportant person - and his family. It just happened that something really bad happened. The biography of Viktor Astafiev has a lot of obscure facts. One of them is the arrest of the father.

Aresht dad

After his relatives were sent to Siberia, Victor’s fathers went to work at the college. Dad was a frivolous person - he spent his entire life walking and playing tricks. Mati worked for two, but not for ten. Apparently Petro Astafiev took control of the accident at the river line. This never happened again. Already, the fragments of the millennium were already a socialist lane, they called them from the shkidnitstva and sent them to the White Sea-Baltic Canal.

Death of mother

The squad of Pyotr Astafaev perished suddenly - drowned near the Yeniseya River during the hour of the final trip to the man. Victor doesn’t know his sisters and brothers: Astafiev’s other children died in childhood. So the seven-year-old boy lost himself. No relatives were lost. Dad, turning back from the camp five years later, started a new homeland.

Warehouse from besieged Leningrad

For the moment, Victor is the only one alive in an abandoned cabin. Afterwards, he was sent to a boarding school for orphans. After graduating from school, then college. In order to go to the station as a police officer. When the war began, Viktor Astafaev, like other prisoners, canceled the reservation. Ale fell into a fit, which was the share of the future writer.

Apparently, having arrived at the warehouse from Leningraders. This happened after the blockade was broken. The carriage was filled with dead bodies - perhaps all the poor people of the surrounded place died on the way. This sight overcame the strong hostility of young Astafiev. Vin volunteered for the front. And then things began to happen, things that had not been heard of for a long time.

Soldier Astaf'ev

Writers and authors of Western prose told a lot about the exploits of the Radyan soldiers. The stench of the war was considered both heroic and garish. But in reality everything was different. Astaf’ev once said that prose writers sing like lies about war and commit terrible evil.

Viktor Astaf'ev is simply a soldier. At first it is water, then it is an arthrosis, and finally it is a ligament. Photo, how can you bachiti vische, divided 1945 rock. The writer himself signed “Soldier Astaf’ev.” Two years earlier, when the photo was taken, he shook off the serious injury to a thought.

Film about Astafiev

Mikita Mikhalkov worked extensively on the script until the other part of “Burnt by the Sun.” For this purpose, the director’s work was even more important, according to Viktor Astafiev himself. Tsikava facts From the life of the writer we see his works, as well as a three-year video recording, which was created not for the television station, but for Mikhalkov. The writer gave an interview at home. Later, we started to create a documentary film dedicated to Astafyev - “The Cheerful Soldier”.

The writer said that there is nothing heroic in the war. This is fear, shelter, fear. Ale, remembering the first months of service, emphasized that not all young soldiers were afraid of the first battle. But they were not afraid of those who were even more important - the rich sat with Milkov’s chant: “Whoever you want to kill, but not me.”

The scary truth about the war

In 1944, Viktor Astafiev was promoted to the reserve regiment. There were a lot of such people - young lads who set out to seize fatherlandism. But they did not deal with the recruits in the same way as was shown in Radian films later, after the end of the war. Young soldiers were washed for months in unbearable minds. During the winter they lived in unscorched barracks; there was nothing to eat. Those who were sick were not rejoiced. As a result, healthy Siberian boys turned into incomers.

There was no such military training. The people marched to the front with languid looks, who were less like the defenders of the Fatherland. This is how the war began for Viktor Astafa, which was discussed by dozens of his colleagues - writers, who won state prizes and all sorts of privileges for stories about heroes who rushed into the embrasure. Due to the lack of strength and the absence of evidence, many of them died in the first battle or were completely destroyed. Most of them didn’t manage to bring the measles of Fatherlandism, and earn those who didn’t die so much by signing up with a volunteer.

The recruits did not see any uniforms. Astafev discovered that even long ago, other young soldiers were forced to wear tunics, taken from dead soldiers, usually from the Germans.

Born in 1943, Private Astaf'ev buv awards with the order Chervona zirka. During the battle, the telephone connection was repaired several times, which was then followed by artillery fire.

Family of Viktor Astafiev

In 1945, the Mayday writer was demobilized. He went to the Urals and worked as a auxiliary worker, a teacher, a plumber, a TV-reader, and a railway station worker. Several months after the victory, Astafaev became friends. Maria Koryakina, a Radian writer, became his squad. The Vonys lived 55 lives at once. Maria Koryakina died ten years after the death of the man. Children of Viktor Petrovich Astafiev: daughters Lydia and Irina, son Andriy. In 1947, Dona Lydia was born, but she did not live through her fate. Daughter Irina (1948) died in 1987. Sin was born in 1950. The writer took care of two adopted daughters – Victoria and Anastasia.

Early work of Viktor Astafiev

The first one he wrote was when he was a schoolboy. This is a small story, which later, through several fates after the end of the war, the writer edited and published under the title “Vasyutka Lake”. The stories of Viktor Astafiev for children were first published in the magazine "Chusovsky Robotnik". It was still on the cob of the 50s.

The early works of the writer include “Zirkofall”, “Starodub”, “Pass”. These messages were called out I especially appreciate it critics. On the eve of the fiftieth year, the magazine “New World” published an article, the author of which spoke about Astaf’ev’s prose like this: “the freshness of the senses, the life of the words, the sweetness of the eye.”

On the cob creative way Astaf'ev wrote important stories about rural life. Having forgotten the topic of war. I suppose I read the story of my colleague, which depicted the war in romantic tales. Such a presentation of the worst fates in the history of the 20th century, in Astaf’ev’s opinion, was malicious. People from childhood must know that war has nothing beautiful or heroic. Young readers need to fight the war right away. How to fight the lies that are on the sides of the book of Radian writers? The food did not give Astaf'ev peace of mind. Docs are unable to write the terrible truth about the war.

Peculiarities of Ukrainian prose

The heroes of Astafiev’s account are soldiers and young officers. He created the image of a simple worker warrior, from whom the whole army is tied, a soldier, whom they call “all dogs”. In his books, the writer Viktor Astaf'ev depicted his fellow soldiers, contrasting his heroes with the military servicemen who procrastinated for several years near the frontline zone.

Astaf's war was dreamed of even ten years after Great Victory. Until then, I hung around my books very carefully. Until the 90s of the war, Viktor Astafiev dedicated himself to the creation of short prose. Before writing the novel “Cursed and Killed,” he prepared himself morally for a long time. Viktor Astafaev published this book forty years after the end of the Great German War.

The image of activity is typical for his works, which speak of a peaceful life. Astaf'ev became one of the first to speak about the famine of 1933. Some reports and stories talk about the sublime cruelty and criminality of the Radyans' union. For example, in " To the crazy detective- create something that shocks with realism and acuity. Most of Astaf'ev's autobiographical statements were left before collection. Ostannіy incline".

"Cursed and killed"

Roman Viyshov 1993 rock. Viktor Astafaev never completed this work. The first part is called “Black Pit”. Friend – “Bridgehead”. The novel describes the war and the events that led to it. A little trouble at the book of Astaf'ev - the life of the Radian soldiers and their interactions with the commanders. Fighting actions in creation, of course, are also shown.

Astaf'ev raised moral nutrition about mutual relations between people in military minds. The epigraph to the first part was quotations from the New Testament. This novel flares up near Berdsk at the end of 1942 and the beginning of 1943. As the epigrapher to the other part, the author vikorized the Gospel from Matthew. Is that what the stars are called? The Old Believers had a legend about the one who starts the war and fraternity, with curses and beatings.

In 1993, Astafiev was nominated for the Russian Booker Prize. In 2010, the Moscow Art Theater theater premiered the novel “The Cursed and Killed.”

Memory

The rocks of life of Viktor Astafiev – 1924–2001. A number of books and films are dedicated to this writer, including a documentary film. Your creations have been filmed more than once. Films behind Astaf'ev's books: “Taiga's Tale”, “The War Is Here”, “Star Income”, “Seagulls Never Flew Here”.

Viktor Astafiev died in 2001 due to a stroke. Ostannі rocks Prov_v near the edge of the region - near Krasnoyarsk. Pokhovany on tsvintari, roasted near the village of Ovsyanki.

The writer's village has a library, named in his honor, and a memorial booth-museum. In the center of Krasnoyarsk there is a monument to Viktor Astafiev. A memorial plaque was erected on the budinka in Perm, where the writer worked for sixty years.

Viktor Astaf'ev is a writer whose works are included in school program. Students of the Faculty of Philology celebrate this creativity. Astaf'ev's book is worth reading because of its high artistic value, as it stinks. It’s true that few people dared to talk about the representatives of their generation.

prominent Radyanskyi Russian writer

Viktor Astaf'ev

short biography

Viktor Petrovich Astaf'ev(1 May 1924, Ovsyanka village, Yenisei province, SRSR - 29 November 2001, Krasnoyarsk, Russia) - a prominent Radyansky and Russian writer. Hero of the Socialist Party (1989). Laureate of two State Prizes of the USSR (1978, 1991) and three great powers Russian Prize (1975, 1995, 2003). Member of the Society of Writers of the USSR.

Viktor Petrovich Astaf'ev was born on May 2, 1924 in the village of Ovsyanka (nine Krasnoyarsk region) in the birthplace of Pyotr Pavlovich Astaf'ev (1899-1967) and Lydia Illivnya Potilitsina (1900-1931). Being the fourth child in the family, two older sisters died in childhood. Several fates after his marriage, Pyotr Astafiev’s son was sentenced to release for “mischief.” In 1931, at the hour of Lydia Illivna’s final trip, the people in whom they were among the others spilled over. Lydia Illivna, having fallen into the water, caught her scythe on a floating boom and drowned. Victor suffered the same fate. Turning home, Dad went to the doctor’s office. Abandoned by his mother and friends, Victor stumbled on the street. He has been alive for a few months in an abandoned room, after a serious offense at school, turning away from the direction to the children's room.

After graduating from FZO school, he worked at the Yenisei station as a train driver and train driver, and as a station attendant.

In 1942, fate volunteered for the front, not caring for those who, as a prisoner, had worn out the armor. Military training was taken from the basic automobile division of Novosibirsk. In the spring of 1943, the fate of the directions to the active army. Having been a driver, a signalman for howitzer artillery, after an important injury (concussion) at the end of the war, serving with the internal forces in Western Ukraine.

He was awarded the Order of the Red Star, medals “For the War”, “For the Liberation of Warsaw” and “For the Victory over Germany”.

In battle 10.20.1943 r. Red Army Astaf'ev V.P. corrected the telephone connection several times and forwarded to the NP. When the Viconn was restored, the bomb was close to bursting and covered the ground. Astaf'ev continued to vacate the building under artillery and mortar fire, seizing the cable and renewing telephone connections, ensuring uninterrupted communication with the desire and support of the artillery with great fire.

From the national certificate for the medal "For Life"

Demobilized from the so-called “crossroads” in 1945, going to the Urals, to the town of Chusova, Molotiv region (nine Perm region); working as a plumber, a auxiliary worker, a teacher, a railway station worker, and a comedian. The same fate made friends with Maria Semenivna Koryakina; they had three children: daughters Lydia (born and died in 1947) and Irina (1948-1987) and son Andriy (born in 1950). Astafev also fathered two adopted daughters, Anastasia and Victoria.

Since 1951, he worked at the editorial office of the newspaper “Chusovsky Robotnik”, where he first published his own story (“The Gromadyansky Little Man”). Writing reports, statistics, reports. The first book, “Until the Future Spring,” was published by Molotov in 1953.

In 1958, the Astaf family was adopted until the birth of the SRSR writers.

In 1959-1961 I started attending Great Literary Courses in Moscow.

In 1962 the Astafs moved to Perm, in 1969 to Vologda, and in 1980 they went to Fatherland - to Krasnoyarsk.

From 1989 to 1991, Astafiev was a people's deputy of the USSR.

In the early 1990s, he signed “Roman Animalia” (participants in the conference “National Nutrition in the USSR: Updated or Huge War?”).

On June 5, 1993, Astafiev’s signature appeared in the “List of 42” to support the forceful dispersal of the meeting of people’s deputies and the Verkhovna Rada of Russia. However, following the insistence of the singer Yuri Kublanovsky, Astaf'ev declared that his signature was put without a hitch.

Died on November 29, 2001 due to a stroke in Krasnoyarsk. Pokhovaya on the tsvintar, which was transported on the Yenisei highway between the neighboring villages of Ovsyanka and Ust-Manoya.

Creativity

The importance of Astafiev’s creativity is military-patriotic and rural. One of my first works of writing at the school was the subsequent re-creation of a writer on the account of “Vasyutka Lake”. The author’s first evidence was published in the magazine “Chusovsky Robotnik”. Astaf’ev’s early stories “Starodub”, “Zirkofall” and “Pass” evoked the respect of critics: Edward Kuzmina in the magazine “Novyi Svit” noted that the authorities “swoosh, roughness of sound, unsmoothness, lack of planing of details images", " , The freshness will come, drink the eye.”

Astaf'ev's style of reporting conveys the view of the war of a simple soldier or a young officer. In his works, he created a literary image of a simple soldier-warrior - an independent platoon leader, on whom the whole army is dependent and on whom it is wrong to “hang all the dogs” and write off all the sins of whom the towns are crushed, Those will get enough punishment. This half-autobiographical, half-collected image of a front-line comfrey soldier, who lives only with his combat comrades and calmly marvels in the eyes of death, Astaf’ev has a lot in which he has copied from himself and from his front-line friends ів, who opposed him to the profiteers, like throughout the entire war in a completely safe front-line zone and until the end of the days, some writers experienced the worst possible misfortune.

According to the thought of Marshal Dmitry Yazov (2013), who recognized Astafiev’s “strong literary talent”, he “even wrote darkly about the war, nadrivno, I said bi.”

Suvore, between the censored, depictions of the bitter and unpleasant sides of life in power and Astafev’s works from a peaceful life. One of the first to know from the press (in “The Stealer”, “The Last Bow”) about the “hungry 1933 river”, writing about the sublime cruelty, the criminalization of the radyan’s marriage both in the pre-war hour and for the “abused social "realism", about the obviousness of someone of the great marginal ball, which sank from the darkness, violence and self-destruction, about the tireless culture and the frivolousness of the life goals of the “minds”, “who have learned.”

Most lyrical-autobiographical accounts (about Siberian village 1930's), written by Astaf'ev for children and teenagers, went back to the collection "The Remaining Incline".

Astaf'ev's books for their living literary language and realistic depictions of military and rural life were more popular in the USSR and beyond the cordon, from which a wealth of language was transferred to the world.

Romani

• “Until the coming spring” (1953)
• “Melting Snows” (1958)
• “Cursed and killed” (1995)

Povisti

• "The Pass" (1958)
• "Starodub" (1960)
• "Zirkovyy income" (1960-1973)
• "Theft" (1966)
• “Here is the make-up of war” (1967)
• "The Remaining Uklin" (1968)
• “Slotna Autumn” (1970)
• "Tsar-riba" (1976)
• “Fishing for minnows in Georgia” (1984)
• "Crazy Detective" (1987)
• “This is how I want to live” (1995)
• "Obertone" (1995-1996)
• “From the Quiet Light” (1961, 1975, 1992, 1997) (speech sample)
• "The Jolly Soldier" (1998)
• "Vasyutka Lake"
• “Photography, where I am silent” (1968)
• "Haircut Creak"
• “Will I kill the dragon?”
• "Granny with raspberries"
• "Geese in the Opolontsia"

Suchasna pastoral

• “Shepherd and Shepherdess” (1967-1971-1989)
• "Lyudochka" (1987)
• “Kine with a horny mane” (one of the chapters of the story “Ostannіy Uklin”) (1968)

P'iesi

• “Probach meni” (1980)

Film adaptation

• 1977 – “The Seagulls Never Flew Here,” dir. Bulat Mansurov
• 1979 - “Taigova Tale”, dir. Volodymyr Fetin
• 1981 - “Zarkovyy income”, dir. Igor Talankin

Script writer

• 1983 - “Twins of Nations”, dir. Arkady Sirenko
• 1986 - “The war is here to make up”, dir. Arthur Voitetsky
• Until the coming spring: [Opovidannya]. – Molotov: Hammer. book view, 1953. – 152 p.: ill.
• Vogniks. – Molotov: Hammer. book view, 1955. – 98 p.
• Lake Vasyutka. – Molotov, 1956. – 48 p.
• Uncle Kuzya, chickens, fox and whale. – Perm, 1957. – 32 p.
• Melting Snows: A Novel. - Perm: Book. view, 1958. – 307 p.: ill.
• Warm board - M.: Detgiz, 1958. - 96 p.
• Pass: Povist / Il. V. Zhabsky. - Sverdlovsk: Book. view, 1959. – 135 p.: ill.
• Siberian. - Perm: Book. view, 1959-1960. – 26 s.
• Starodub: Story and revelation / Il. A. N. Tumbasova. - Perm: Book. view, 1960. – 178 p., 1 sheet. mule.
• Zorka's song: Revelation. – Perm, 1960. – 116 p.
• Human blood. - Sverdlovsk, 1960. - 24 p.
• Warm board - M.: Detgiz, 1960. - 96 p.
• Dick cibul. – Perm, 1961. – 40 p.
• A story about kohanna. - Perm: Book. view, 1961. – 58 p.
• Soldier and mother: Story and evidence. - M: Glad. Russia, 1961. – 104 p.: ill. - (Short story and information).
• Uncle Kuzya is a smoking boss. - M.: Detgiz, 1961. - 64 p.
• Lake Vasyutka. - M.: Detgiz, 1962. - 96 p.
• Zorepad: Povisti. - M: Mol. Guard, 1962. – 336 p.
• A trace of a human. - Sverdlovsk: Book. view, 1962. – 208 p.
• The snow will melt. - Perm: Book. view, 1962. – 326 p.
• Geese in the militia. – Perm, 1963. – 16 p.
• I remember you, Lyubov. - Perm: Book. view, 1963. – 150 p.
• Spring Island: Opovіdannya. - Perm: Book. view, 1964. – 264 p.
• A horse with a horny mane: Recognition. – M.: Pravda, 1964. – 48 p.
• A horse with a horny mane: Recognition. – Sverdlovsk, 1965. – 184 p.
• The trenches are overgrown with grass. - M: Glad. Russia, 1965. – 174 pp.:
• Haircut Creak. - M: Children's literature, 1965. - 16 p.
• A horse with a horny mane: Recognition. - Voronezh: Central Black Earth. book Vid., 1968. – 200 p.
• Theft: Povist / [Illustration: A. and V. Motovilov]. Perm: Book. view, 1970. - 318 z
• Stealing. It's war here. - M: Young Guard, 1968. - 368 p.
• The remaining slope. - Perm: Book. view, 1968. – 260 p.
• Blue day. - M: Glad. writer, 1968. – 416 p.
• It's a clear day. - M: Pravda, 1972. - 64 p.
• Uncle Kuzya is a smoking boss. – Perm, 1969. – 52 p.
• Post. - M: Glad. Russia, 1969. – 528 p.
• Theft: Povist / [Illustration: A. and V. Motovilov]. Perm: Book. view, 1970. – 318 p.
• A horse with a horny mane: Recognition. – M., Children’s literature, 1970. – 192 p.
• Zatesi: Book short interviews/ Il. Yu. V. Petrova. - M: Glad. writer, 1972. – 238 p.
• Spin: Rozpovidi / Il. B. Alimov. - M: Suchasnik, 1972. - 368 p.: ill.
• Stories about my day / Song. A. Lanshchikova; Il. B. Kosulnikova. - M: Mol. Guard, 1972.-669 p.: ill.
• Stories about my day / Song. A. Lanshchikova; Il. B. Kosulnikova. - M: Mol. Guard, 1972. - 669 pp.: ill.
• On a clear day: News and information / Entry. Art. A. Mikhailova. - Vologda: Mon.-Zh. book view, 1972. – 256 pp., 1 sheet. portrait
• Uncle Kuzya is a smoking boss. – M.: Dityacha literature, 1972. – 64 p.
• A horse with a horny mane: Recognition. – M., Dityacha literature, 1972. – 192 p.
• An alarming dream. – M., 1972. – 92 p. (B-chka to the magazine "Prikordonnik")
• Shepherd and shepherdess: Suchasna pastoral / Il. V. Kadochnikov. - Perm: Book. view, 1973. – 149 p.: ill.
• Vibran: [Povisti]. - Krasnoyarsk: Book. view, 1974. – 758 pp.: ill.
• Pass; Ostannіy incline; Stealing; Shepherd and shepherdess: Povisti. - Krasnoyarsk: Book. view, 1974. – 753 pp.: ill.
• Haircut Creak. - M: Children's literature, 1974. - 32 p.
• Here is the make-up of war: The story is told. - M: Suchasnik, 1975. - 624 p.: ill.
• Pass: Povist. - M: Glad. Russia, 1975. – 135 p.
• A horse with a horny mane: Recognition. – M., Dityacha literature, 1975. – 192 p.
• Post. - M: Artist. let., 1976. - 445 p.,: ill., 1 sheet of portrait.
• Boy in a white shirt: Tale. - M: Mol. Guard, 1977. – 591 p.
• Post/Preface S. Zaligina. - M: Glad. Russia, 1977. – 560 pp., 1 sheet. portrait
• Povisti; Rozpovid; Zatesi. Perm: Book. view, 1977. – 463 pp.: ill.
• Ostannіy uklin: Povist/Il. Yu. Boyarsky. - M: Suchasnik, 1978. - 639 pp.: ill.
• Tsar-riba: Evidence among species / Artist. V. Bakhtin. - Krasnoyarsk: Book. view, 1978. – 408 pp.: ill.
• Bilogrudka. – M., Radyanska Russia, 1978. – 16 p.
• Tsar-riba: Revelation in evidence. - M: Glad. writer, 1980. – 400 p.
• Ostannіy uklin: Povist. - Krasnoyarsk: Book. view, 1981. – 547 p.
• Notes: Miniatures: Short. confirmation / Author's note, p. 5-10; ARTISTICITY. V. M. Kharlamov. - Krasnoyarsk: Book of video, 1982. – 326 p.
• Uncle Kuzya is a smoking boss. – M.: Dityacha literature, 1981. – 64 p.
• A horse with a horny mane: Recognition. – Voronezh, 1981. – 82 p.
• Babusin is holy. – M., Radyanska Russia, 1982. – 48 p.
• At Taizi, at Yenisei. – M.: Malyuk, 1982. – 96 p.
• Ostannіy uklin: Povist; Posted / Posted. A. Khvatova; Artist B. Unmemorable. - L.: Lenizdat, 1982. - 702 pp.: ill., 1 l. portrait
• Ostannіy uklin: Povist; – M., Izvestia, 1982. – 636 p.
• Tsar-riba: Opovіdannya in opovіdannykh/Іл. V. Galdyaev. - M: Suchasnik, 1982. - 384 p.: ill.
• Starodub. - M.: Dityacha literature, 1982. - 64 p.
• Haircut Creak. - M: Children's literature, 1982. - 32 p.
• Haircut Creak. – M.: Malyuk, 1982. – 22 p.
• It's a clear day. – Irkutsk, 1982. – 48 p.
• Stealing. - Krasnoyarsk, 1983. - 246 p.
• Spring Island. – M.: Malyuk, 1983. – 18 p.
• Zorka's song. - M.: Malyuk, 1983. - 10 p.
• Ostannіy uklin: Povist. – M.: Dityacha literature, 1983. – 288 p.
• Tsar-riba: Opovіdannya in opovіdannykh/Іл. V. Galdyaev. - M: Suchasnik, 1983. - 384 pp.: ill.
• Zorepad: A story. - M: Suchasnik, 1984. - 80 p.
• On the distant peak: Povisti; Opovіdannya / Artist. G. Krasnov. - Krasnoyarsk: Book. view, 1984. – 455 pp.: ill.
• Post. - M: Artist. let., 1984. - 680 pp., 1 l. portrait
• Post the news. - M: Glad. writer, 1984. – 688 pp., Portrait.
• Opovіdannya / Artist. Yu. Alekseva. - M: Glad. Russia, 1984. – 577 pp.: ill.
• Tsar-riba: Opovіdanya in opovіdannyakh/Nl. V. Galdyaev. - M: Suchasnik, 1984. - 384 p.: ill.
• A horse with a horny mane: Recognition. – M., Dityacha literature, 1984. – 208 p.
• Here is the make-up of war: The story is told. - Baku: Azerieshr, 1985. - 470 p.
• Ostannіy uklin: Povist / Artist. Yu. Alekseva. - M: Suchasnik, 1985. - 543 p.: ill.
• It’s time for everyone. - M: Mol. Guard, 1985. – 254 p., ill., photo. - (Pismennik – juvenile – life).
• Bilogrudka: Povidannya. – M.: Dityacha literature, 1985. – 128 p.
• News pages: Narratives / Artistic. G. Metchenko. - M: Mol. Guard, 1986, 1987. – 460 pp.: ill.
• Here is the make-up of war: The story is told. - Riga: Liesma, 1986. - 349 pp.: Il.
• Life to live: A novel, an account. - M: Suchasnik, 1986. - 317 p., 1 sheet. portrait
• Kapaluh. – M.: Malyuk, 1985. – 10 p.
• News pages: Narratives / Artistic. G. Metchenko. - M: Mol. Guard, 1986. – 462 pp.: ill.
• At Taizi, at Yenisei. – M.: Malyuk, 1986. – 96 p.
• Tsar-riba: Revelation in evidence. - Minsk: Nar. Osvitlennya, 1987. - 367 p.
• Crazy detective. – M., Pravda, 1986. – Book. 1. – 64 s.; Book 2. – 48 s. (B-ka "Vognik")
• Tsar-riba: Revelation in evidence. - Petrozavodsk: Karelia., 1986-368 p.
• Tsar-riba. Post. – Khabarovsk, 1986. – 576 p.
• It's war here. - M: Suchasnik, 1987. - 64 p.
• News pages: Narratives and reports / Artistic. G. Metchenko. - M: Mol. Guard, 1987. – 462 pp.: ill.
• Lake Vasyutka. – Chisinau, 1987. – 64 p.
• Crazy detective. – M., 1987. – 80 p. (B-chka to the magazine “Radianska Militsia”)
• Crazy detective. - M., Fiction literature, 1987. – 66 p. (Roman-newspaper).
• Here is the make-up of the war: Posts, reports / Entry. Art. N. N. Yanovsky. - Voronezh: Central-Chornozem. book view, 1988. – 480 p.
• Here is the make-up of the war: Posts, reports / Entry. Art. N. N. Yanovsky. - Voronezh: Central-Chornozem. book view, 1988. – 477 p.
• Seeing club / Artist. M. Abakumov. - M: Suchasnik, 1988. - 588 pp.: ill.
• Kapaluh. – M.: Malyuk, 1988. – 8 p.
• Fallen arkush. - M: Glad. writer, 1988. – 512 p.
• Pass. Stealing. – M., Dityacha literature, 1988. – 302 p.
• Crazy detective: Povisti, novel, evidence / [Art. I. Kirma]. - Chisinau: Lit. artistry, 1988. – 671 p.: ill.
• Tsar-riba: Revelation in evidence/[Introduction. Art. N. N. Yanovsky; Artist V. A. Avdeev]. - Novosibirsk: Book. view, 1988. – 381, p., l. mule.
• Tsar-riba. – Simferopol, Tavria, 1989-384 p.
• Summer and winter become closer. – M.: Malyuk, 1989. – 96 p.
• Ostannіy uklin: Povist. – M.: Dityacha literature, 1989. – 352 p.
• Stealing; Seeing club: Povisti / Artist. Yu. M. Pavlov. - Kemerovo: Book. view, 1989. – 479 pp.: ill.
• Shepherd and shepherdess / Artist. Yu. F. Alekseva. - M: Glad. Russia, 1989. – 604 pp., 1 sheet. portrait: ill.
• Crazy detective: Novel, evidence, short stories, drawing / Artist. E. A. Galerkina. – L.: Lenizdat, 1989. – 366 p.: ill.
• Ostannіy uklin: Povist. - M: Mol. Guard, 1989. – T. 1-2. T.I, book. 1,2.1989.333 p.: ill. T. 2, book. 2 (continued), 3.1989.430 pp.: ill.
• Tsar-riba. - Irkutsk: Skh.-Sib. book view, 1989. – 368 p., l. portrait
• Chi saw in the afternoon: Collection / Artist. Yu. F. Alekseva. - M: Glad. Russia, 1989. – 668 p., l. portrait
• Geese in the militia. – M.: Malyuk, 1990. – 24 p.
• Stealing. The remaining slope. – M.: Prosvitnitstvo, 1990. – 448 p.
• Shepherd and shepherdess. – Irkutsk, 1990. – 480 p.
• Zorepad: Povisti. - Kemerovo: Suchasnik. Sib. department, 1990. - 554 p.
• Starodub: Povisti / Artist. E. Yakovlev. - Kemerovo: Suchasnik. Sib. department, 1990. – 544 p.
• The shepherd's laugh. - M: Book. Chamber, 1990. – 378 p.
• A horse with a horny mane: Recognition. – M., Dityacha literature, 1990. – 142 p.
• My People: Novel; Povisti; Rozpovidy. - M: Artist. let., 1991. – 606 p.
• Crazy Detective: A Novel; Seeing club: Tale [Intro. Art. L. Vukolova, p. 5-22]. – M.: Profizdat, 1991. – 412. – Irkutsk: Vidavets Sapronov, 2009. – 720 p. - 2500 copies.
• Documentary film (2010, dir. Andriy Zaytsev) “Viktor Astafiev. Merry Soldier"
• Evgen Ermolin The remaining classics. M: Zbig, 2016.

Nagorodi

• Order of Merit for the Batkivshchyna, 2nd stage (28 April 1999) - for the visible contribution to the developments Vietnamese literature
• Order of Friendship of Peoples (25th April 1994) - for the great contribution to the development of Vietnamese literature, the appreciation of international cultural connections and full of enormous activity
• Hero of the Socialist Pracia (Decree of the Supreme Presidency for the USSR on September 21, 1989, Order of Lenin and Hammer and Sickle Medal) - for great services to development Radian literature and full of enormous activity
• Order of the Great Patriotic War, 1st class (1985) - as a participant in the Great White War, who lives in the battlefields.
• Order of Labor Chervonogo Prapor (1971, 1974, 1984)
• Order of Friendship of Peoples (1981) - up to the age of 10 years Collections of letters of the SRSR
• medal “For victory over Nimechtina at the Great The Great Patriotic War 1941-1945 years."
• Medal "For the Liberation of Warsaw" (1945)
• Order of the Chervona Zirka (1944-45)
• medal “For Life” (1943)

Prizes

• State Prize of the USSR (1978) - for the book “Tsar-riba”
• State Prize of the USSR (1991) - for the novel “Seeing Staff” (1988)
• State Prize of the RRFSR named after Monument to Astafiev near Krasnoyarsk
  • At the Fatherland Writers' Day, in the village of Ovsyanka, the Library-Museum of V. P. Astaf'ev is working, and with it the Center for the Study and Development of the All-Round Creativity of the great countryman. We carry out the work of saving, researching and popularizing the decline of writing, working with libraries, museums, primary depositories, publications, journalists, researchers, literary and fiction workers. Fans of Astaf'ev's talent come here.
  • On November 29, 2002, the memorial booth-museum of Astaf'ev was opened in the village of Ovsyanka. Documents and materials from a special collection of writings are preserved at the State Archive of the Perm Region. The Astaf'ev Budinok-Museum is also at Chusovoy's.
  • On November 30, 2006, a monument to Astafiev was hidden near Krasnoyarsk. Sculptor – Igor Linevich-Yavorsky.
  • The Literary Museum near Krasnoyarsk is named after Astafiev.
  • In Perm, on Budinka 84 on Lenina Street, where the writer is alive and working in the 1960s, in Vologda on Leningradskaya Street, where Astafaev is alive, a memorial plaque was installed at the former health station in Chusovoy.
  • An extraordinary monument to Viktor Astaf'ev built near the highway that leads from Krasnoyarsk to Divnogorsk. The monument is dedicated to the majestic sturgeon, and the river is a fish, which is dedicated to one of the most famous accounts of the writer - “Tsar-Rib”. Near the monument there is a small maidan for repairs and an observation maidan with a view of the Yenisei, which flows below, and of Ovsyanka. The author of the project of the sculptural composition is Krasnoyarsk entrepreneur Yevgen Pashchenko.
  • Schools in Igartsya, in Zaliznogirsk, in the village of Podtesovo, Krasnoyarsk Lyceum No. 19 (college FZO-1, having completed writing), and Krasnoyarsk State Pedagogical University are named after Astafiev.
  • I am Astaf'ev to carry a tanker (large "Lenaneft-2035"):.
  • At Novosibirsk on the Zatulinsky residential area there is a library named after V. P. Astafiev.
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Viktor Astaf'ev was born on May 1, 1924 in the village of Ovsyanka, near Krasnoyarsk, in the family of Lydia Illivnya Potilitsinoya and Pyotr Pavlovich Astaf'ev. Being the third child in the family, his two older sisters died in childhood. Through a number of fates after the birth of his son Petro Astafiev, he is reduced to the point of view of the formula “skidnitstvo.” At the hour of Lydia’s final trip, a friend, whose middle waters spilled over, spilled over. Lydia Potilitsina, having fallen into the water, caught her scythe on the floating boom and drowned. Their body was found in just a few days. Victor suffered the same fate. After the death of his mother, Victor lives with her fathers - Katerina Petrivna and Illy Evgrafovich Potilitsinich. About his childhood spent with his grandmother Katerina Petrivna and depriving the writer of light in his soul, Viktor Astafiev talks about the first part of his autobiography “The Remaining Hill”.

Viyshovsha withered away, the father of the future writer suddenly became friends. Having decided to give up for the “wild penny”, Petro Astaf’ev with his squad and his two sons – Viktor and the newly-born Mikola – fly to Igarka, where the dispossessed homeland of his father, Pavel Astaf’ev, was sent. At the end of the day, Victor’s father entered into an agreement with the Igarsk fish factory and took his son to commercial fishing near the town between the villages of Karasine and Poloem. After completing the journey, turning to Igarka, Petro Astaf'ev was treated to the medicine. Abandoned by his mother and friends, Victor stumbled on the street. He has been alive for several months in the hospital after a serious incident at the school, turning his attention to the children's kennel.

1942 Pishov volunteered for the front. The military campaign began at the school of lust near Novosibirsk. In the spring of 1943, the fate of the directions to the active army. Formerly a driver, an artillery specialist, a communications worker. Until the end of the war, Viktor Astafaev lost his position as a simple soldier. In 1944, people in Poland were shell-shocked [dzherel?].

After demobilization in 1945, the troops went to the Urals, to the town of Chusova, Perm region.

In 1945, the Astaf family became friends with Maria Semenivna Koryakina. They had three children: daughters Lydia (born and died in 1947) and Irina (1948-1987) and son Andriy (born in 1950).

With Chusovoy, Astaf'ev worked as a plumber, a auxiliary worker, a teacher, a railway station worker, and a TV news worker.

In 1951, the newspaper “Chusovskiy Robotnik” published Astafiev’s first account of “The Gromadian Man.” Since 1951, he worked at the editorial office of this newspaper, writing reports, articles, and reviews. The first book, “Until the Future Spring,” was published in Perm in 1953.
Monument to the writer of the Krasnoyarsk-Abakan highway

In 1958, the Astaf family was adopted until the birth of the SRSR writers. In 1959-1961 I started attending Great Literary Courses in Moscow.

From 1989 to 1991, Astafiev was People's Deputy of the USSR.

In 1993, he signed “List of 42” to rock.

Hero of the Socialist Party, Laureate State Prize SRSR (1978, 1991), Triumph Prize, Russian State Prize (1996, 2003 (posthumously)), Pushkin Prize to the Alfred Tepfer Foundation (FRN; 1997).