Golovna Prepared for the winter Woe from reason, My production to Sophia (“Woe from heart”). Negative production before illumination and illumination in the comedy of A.S.

Woe from reason, My production to Sophia (“Woe from heart”). Negative production before illumination and illumination in the comedy of A.S.

The image of Sophia in the comedy “Dashing with Reason” is most dramatic. Griboyedov, portraying the heroine, completely comes out satirical devices. For him, a girl is a living person, and not a stereotyped image, like Father and other representatives of the world. Let’s try to figure out why the writer, who brings Sophia above others, still makes her unhappy.

Characteristics of Sophia (“Filthy from the heart”). Thoughts of critics

Sofia, due to her character, is very close to Chatsky in spiritual strength. Griboyedov, having spoken extensively about the creation of this female image, the critics at that time had a different idea. So, P. Vyazemsky called her “a hack who has no womanly property,” in addition, the publicist bent over the morality of a girl who secretly meets with a young man and finally receives him in the bedroom. M. Nadezhdin agreed with the remaining assertions: “Sofia is the ideal of a Moscow lady... with seemingly low, or rather strong, blouses,” as “the ice was streamed by secular decency.” Navya Pushkin, calling Sofia Griboyedov’s bad luck, sings with respect to the fact that she is “vaguely christened.”

The role of Sophia in the comedy “Dashing with Reason” has been underestimated for a long time. Only in 1871, the Goncharov family wrote in their article “A Million of Torments” about the virtues of the heroine and about her great role in the dog. The critic equated it with Pushkin’s Tetyana Larina. But the most valuable are those that I managed to note and evaluate the realism of Sophia’s character. Navіt її negative thoughts They became dignities to the singing world, so they gave the girl more alive.

Drama heroine

Chi is not a character social comedy, And the heroine of the drama is Sofia. Griboedov (“Fastly with Rozumu”) was called an innovative playwright for his song for a reason. He was one of the first to succeed in combining comedy and drama, and Sofia is direct proof of this. You have a very partial nature, as you live without strong feelings. Who is similar to Chatsky, who is also not in the mood for partiality.

The wretchedness of Molchalin does not make the girl’s behavior funny, however, this situation only adds drama to her image. The characterization of Sophia (“Filthy from the heart”) is based on her sweetness. Only the viewer can understand the correct guise of Molchalin, for the heroine he is an ideal. Vaughn stands as a girl, given on the right side, it feels like we can’t give in and don’t care.

Sofia and Molchalin - grief in the face of chaos

We are convinced that the image of Sophia in the comedy “Faring from Reason” is inextricably linked with Silent. Love means everything the heroine does. Vaughn divides the light into two parts: Silent and other. Sofia is constantly thinking about her brother, perhaps, and does not notice who will leave.

The girl has an incredibly strong first tendency. However, they seem inappropriate and unhappy. It’s good to understand that her appearance is in no way worthy of her father’s. These thoughts seriously darken the girl’s life, but inside she is ready to fight for her life until the rest.

Monologue of Sophia (“Filthy from the mind”), in which Liza confesses to her feelings, talking about those that she is surpassed by them. What else could have pushed her to such a thoughtless conclusion? The truth about Chatsky is inspired by the fact that Sophia’s mind has become darkened by love. Vaughn spends all her healthy stomach and the possibility of rotting is reduced. However, she herself appreciates that it is even critical and healthy to put before Molchalin: “There is no mind in anyone...”, but it is also important to talk about those whose mother has a special mind for family happiness and is not obligatory. Her sounds are quiet, soft and gentle. Sofia doesn’t think that he’s a bastard, but the truth will only be revealed to her at the end. The girl will become aware of the way the boy watches Liza. This is literally unknown. The episode is rightfully regarded as the most dramatic moment of the song.

Sentimental novels and a wife of light

The image of Sophia in the comedy “Faringly with Reason” is not only dramatic, but also collected to the point of singing. On this example, Griboyedov shows the tragedy of the girls secular matrimony. And what is the reason that she not only fell in love with the scoundrel, but also talked about her beloved Chatsky? The author gives a direct testimony on this topic: “Teach our daughters everything about dancing, singing, and singing! Otherwise, the buffoons are prepared for their squad.”

So here we are talking about those girls, who knew a lot, and began, prepared for only one thing - a distant marriage. І Sophia, as someone who is rich, will live her life with a completely accepted sign.

On the other hand, they stole books - French novels - to give her sleep. The characterization of Sophia (“Filthy from the mind”) allows us to assume that Griboedov intends to raise the problem of enlightenment and women’s education in Russia in his own time.

The choice of Molchalin as a subject of much literature includes sentimental novels, which described the affairs of a noble girl and a poor young man (or just like that). Sofia was in awe of the courage and devotion of novel heroes. I respected Molchalina with such a book character.

The girl can’t reinforce the real action of guessing, so her mess will end so badly.

Sofia and other female images

You can also look at the image of Sophia in the comedy “Dashingly” in the context of other society girls and ladies. In the example of other heroines, Griboyedov shows the path of a society woman, which Sofia is about to go through. It begins with the panyanok in sight - the princesses of the Tugoukhovskys. Then we meet Natalya Dmitrivna Gorich, who recently married a young lady. Learn to disrespect the person, treat him with actions and straighten him out. The axis of the woman who shapes the secular thought is Khlestakova, Maria Oleksiivna, Princess Tugoukhovskaya, Tetyana Yuriivna. At the end of life, the slightly comical image of the Countess Granny is visible to them.

Sophia’s monologue (“Razedly”), who exalts the virtues of a gentleman and who seems to be well suited to the role of a man, and in whose attitude we will show. The Silent Truth is the ideal candidate to bring reality to life life path give light. Someone like Chatsky is not suitable for this role at all.

Quotes from Sophia from the comedy “Dashing with Reason”

Let's summarize the pouches

The characterization of Sophia shows us the drama of the heroine. “Faringly from the Mind” twists and reveals the essence of many rich revelations, including the role of a woman in the current author’s world. Sofia is a reasonable, uncrossable and partial nature that could have made a couple for Chatsky. However, the battle and the sharpness were created by the nobles, and in every case the heroine was created and brought to a dramatic finale. The role of Sophia in the comedy “Dashingly with Reason” is thus key and plot-determining.

One central characters Griboyedov's comedy “Filthy from the Mind” - the image of Sophia. The author himself characterized his heroine this way: “The girl herself is not bad.” And the author named his heroine Sofia, which means “wisdom”. All readers still perceive the ambiguity of the author’s position before the heroine. And our understanding of Sophia is also ambiguous. Who can figure you out? - based on this question set by Chatsky, we can find a confirmation.

Chatsky loves Sofia, she’s not like other Moscow ladies. And the heroine loved Chatsky, the young man deprived her of a significant trace from her soul, and is still unknown to her.

Ale in Sofia also has “special specialties”, like all Moscow ones. She refused the treatment and illumination that marriage required. She has a singing ideal family life- Moscow. True, the formation of this ideal was also influenced by French novels about unexpected love. Long time Chatsky was entrusted with Sophia (in “three fates having written two words”). Then there was Molchalin, entirely, with the look of a heroine, who fit the role of a sweet, timid, fearful bastard.
The girl saw a similar image of herself and “put it” on Molchalin. She resembled not Molchalin, as she really was, but Molchalin, as she showed herself. I.A. Goncharov noted that this heroine “is not immoral: she sins with the sin of ignorance, blindness.” Sofia decides that she is ready to fight for her happiness, and she herself can see her dream. The heroine waits for the future to prepare her father to think about her love affair with the Silent Ones. What does this story about the dream tell us? Some people imagine the rice of the baladi, so popular in Griboyedov’s era: separation from the khans, resistance to the world, fantastic miracles... “It’s all here, if there is no deception,” Famusov reacts to this dream.

Sophia is reasonable enough so as not to anger her father, she is cunning, deceiving, and does not feel any guilty conscience. Vaughn gostra na movu, uddliva.

I.A. Goncharov gives the characteristic: “Tse Sumysh Dobrich INSTINKTIVA, Living Rosuma Za Vidsutsetya of all tension on Ida that is re -perennan, Plutanin, Rosumov, is moral - all is not in the nibble nature of the special focus of the WAS, but є, yak, yak, yak baked riceїї cola. In its own special physiognomy, it has its own, hotter, gentler, and even more peaceful, in the shadows. It’s time to arrange a medical appointment.”

The image of Sophia plays the role of a comedy. It involves a love conflict, as well as a conflict between identity and matrimony, as seen in the episode between Chatsky and Famusov about matchmaking, which turned into Rozmova about service.
The climactic moments of these two conflicts are avoided, and the point of escape is Sofia, who washed herself in anger for Molchalin - “Vin is not in his right mind.” The heroine clearly confirms Chatsky’s God-will:

Ah, Chatsky! To love you all with the blessing of rowing,
Why is it good to try it on yourself?

The first connection is connected with Sophia. The girl sends Liza after Silent, she senses, like Chatsky, her Rozmova. Famusov appeared to bring the resentment of the conflict to its logical conclusion.

Sofia is one of the most popular characters in the song, who is absolutely independent and does not lie with anyone else. Silently takes on the role of the hidden one and plays it resignedly. Famusov is in the state of suspicions that are still not entirely clear before Molchalin, and then before Chatsky, the remains of whom Sofia put in mind. Chatsky, inspired by the cold bitterness and, due to his love drama, which is sinking, reacts inadequately to any kind of brutality on the other side of the heroes of the dog. The story about God Chatsky is spreading among Famusov’s guests, also from Sophia’s feed. Sofia here acts as a puppet guide, in the hands of a string that brings the puppets into action.

Speaking about Sofia, Goncharov wrote: “Of course, more important, more important is Chatsky’s tale, and she gets her “millions of torments.”

The drama of Sophia is that she fell in love with an unworthy person. The appearance of Chatsky misleads all his cards, but becomes a catalyst for the development of his centuries from the Silent Ones. Sofia is angry with Chatsky, because in her soul there is an inexorable desire for Silent’s ideal. But a woman’s pride began to speak in her: she dared to judge the object of her khanna. Moreover, Sofia has the inner understanding that Chatsky has the same understanding. Which one is especially covered. Why did the hundred-year-olds with Chatsky become interested in her? Through kohannya. All the others have a marital conflict, but in her there is a love conflict.

Why did Griboyedov think that Sophia was more important? That's why this idyll fell romantic love Silent. But the truth is different: the heroine is humiliated not only because of the fact that she does not add Silence to the flames. It’s scary what happened before Chatsky’s eyes.

Sometimes Sofia behaves in a very respectable and courageous manner. You know you have the strength to admit that Molchalin is a scoundrel, and he admits that he is wrong:

Don't wait, I'm calling myself a fool.
Who would have thought for a moment that he would be so approachable!

Sofia captivates us with her naturalness and simplicity, true to her cares. She is endowed with intelligence and a strong character, with humor and ardor. It's water time - baby Famus's marriage, he is not aware of living and living behind these very laws. Why did the girl show up to thoroughly wash Chatsky?
Unfortunately, Sofia cannot become friends with another hero, Nizh Molchalin. He's a good boy, because he's obviously in control. The seemingly blind man Sofia did not realize that Molchalin needed her in order for her mother to pour out.

Sofia - miracle female image in Russian literature. In the gallery of Russian female characters, she occupies her place as an image strong people and husbands, or even innocent girls.

The comedy "Dashingly" depicts the nobles of Moscow from the beginning of the 19th century. Griboyedov shows the contrasting views of the landowners-kriposniks (conservative pro-sharks of the population) with the progressive ideas of the younger generation of nobles. This conflict of testimony is like a struggle between two camps. “A hundred years ago” aims to transform the way of life of modern society, and “A century past” tries to protect its special comfort and mercantile interests.

However, there are also characters who cannot be clearly identified as being on either side. This, for example, is the image of Sophia in the comedy “Dashingly.” Let's talk about him today.

Super-cheerful image of the heroine

The image of Sophia in the comedy “Faringly with Reason” is one of the most complex in the characteristics of this heroine, super-humorous. On one side, there is one person, who is close to the spirit of Oleksandr Chatsky. On the other hand, Sofia is the reason for the suffering of the main character. Through it itself, vin appears to be ejected from

No wonder Chatsky fell in love with this girl. Let him go now and call her youth her youth, since Sofia Pavlovna attracted the main character with her strong character, natural intelligence, and independence from the thoughts of others. For these same reasons, he was dear Chatsky.

Light of Sofia

From the first pages we discover that the heroine is well-lit and loves reading books. There are a lot of quotes from Sophia from “Fastly with Reason”. Buried with books, the dissatisfied dad calls out. Even the people respect that “everyday is a plague”, and that in this world “there is not a lot of melancholy”. In this case, there seems to be a primary difference between the views of the heroine and the views of the nobles of the “century past.”

Why did Sofia want the Silent Ones?

The burying of this girl’s property by Silence is natural. The image of Sophia in the comedy “Filthy from Reason” can be complemented by the fact that the girl is a mistress of French novels. The heroine herself looked at the lack of wealth and modesty of her brother, the girl will not guess about those who became a victim of Molchalin’s deception. This person is entrusting it to her for the sake of his own special benefit.

Infusion of Famus's supremacy

Sofia Famusova, in the days of Silence, reveals the same traits of character that representatives of the “century past”, including her father, would never have dared to reveal. Because Molchalin is afraid to reveal his relationship before marriage, the fragments that he respects, " evil language“more terrible than a gun,” then the heroine, as we say, does not have a bright thought. The girl in her family has a trace of the greatness of her strong heart.

The prote image of Sophia in the comedy “Fastly with Reason” can be supplemented by the fact that this girl is her father’s daughter. She was recruited from a marriage in which ranks were worth more than a penny. The atmosphere in which the heroine grew up could not help but affect her.

The girl hoped to convert Molchalin not only through positive things, as she looked at him. On the right, in marriage, until the heroine is due, the wives are panicking - both in the family and in the world. Let me tell you about my friend Gorichiv (pictured above), who we knew at the Famusovs’ ball. Chatsky knew Platon Mikhailovich as an active, active soldier. However, under the influx of his friends, he turned into a powerless spirit. Now Natalia Dmitrivna praises him for all his decisions. Vaughn is in charge of her man, as I say, he speaks for someone else.

Obviously, like Sofia Famusova, desperately worried about the man, she decided to cast Molchalin in the role of the next man. This character represents the ideal man of the world of Moscow nobles at that time.

The tragic image of the heroine

Sofia is the most tragic character in the work "Faringly from the Mind". Before this heroine, there was more suffering, not even for Chatsky himself. Before us, this girl, by nature, looming with intelligence, humility, courage, is troubled by the role of the guarantor of marriage, which is due. You can’t allow yourself to give free rein to the thoughts of those who are absent. Sofia Pavlivna (“Filthy from Reason”) is promoted as a representative of the conservative nobility and is committed to living by the laws that it dictates.

In addition, Chatsky’s undisputed appearance threatens to destroy their special happiness, as she plans to return from the Silent Ones. The heroine, after the arrival of Oleksandr Andriyovich, is constantly under stress. He had to kidnap his brother from Chatsky’s attacks. The task is to save love, to steal Molchalin from ridicule and to let out placards about the God-ville Oleksandr Andriyovich. However, the girl appears to be a member of this family only through the great pressure of matrimony, a member of which she is. And Sofia gradually becomes angry with her stake.

This heroine is unhappy because she has to experience the ruin of the ideal image of Molchalin, which has formed in her head. The girl becomes very happy with her brother's marriage to her servant Liza. The main tragedy of Sophia lies in the fact that the heroine fell in love with a villain. Silently engraving the role of the Kohant Sofia Famusova is more important than the fact that his rank can be removed from the devil’s city. Before that, the death of his brother takes place in the presence of Oleksandr Chatsky. It would hurt the girl even more.

"A Million Torments" by Sophia

The role of Sophia is insanely great ("Fastly with Reason"). The author is unwavering in his opinion. Sofia is much like her father to the nobility in general. The girl is not afraid to drink against the light, stealing love. Prote will feel like they're going to confuse Molchalin and hide from Chatsky. Aje and this hero are very close to the spirit. Chatsky’s denigration of the marriage is in Sophia’s own words. You happen to be deprived of your family's supremacy.

Since all the other heroes, besides Chatsky, take part in the social conflict, trying to destroy the primary way of life and comfort, then this girl has to fight for her farm. Goncharov wrote about Sophia, what is most important to her, that she suffers “a million torments.” Unfortunately, it turns out that this girl’s struggle for her own interests seemed to be bitter. Molchalin is a worthless person, as the finale of the work “Razor-smart” explains.

Chatsky and Sofia: what kind of happiness is possible?

Sofia would not be happy with someone like Chatsky. For everything, in your squad, choose a person who exemplifies the ideals of the Famous marriage. Sophia's character is strong, and it is driven by implementation, and she will only be able to marry a person who allows her to control and command himself.

“It’s important to put yourself in a bad mood before Sofia Pavlivna” (I. A. Goncharov).(Sofia exclaims loudly: she is reasonable, but she doesn’t understand in public. She doesn’t have a formed idea and transformation. Excessive self-love, the need to stand up for the weak, gullibility, “bookish” statements about life - the axis of kindness, explain her love for Molchalin and her hostility for Chatsky .)
My assessment of Sophia’s personality and behavior is super-cheerful.

The generosity of a girl’s behavior when she’s with people is miraculous.(Sofia is a lie to no one except her father. Father is the culprit: she conveys a scandal when she finds out about her love to the “rulerless” secretary (“whoever is poor, is not a match for you”). Having fallen out of love with Chatsky, she is cold towards him, bach The shortcomings in what previously seemed to be its advantages are surprising and ironic.)
She's just seventeen!(Sofia is already young, which is reflected by Molchalin’s tremendous generosity, his timidity, his lack of self-esteem, his desire to satisfy everything, the dumbness that Chatsky is in control of. I think the seventeenth do it, because you only know life for French novels, you can study it.)
The indulgence of Sophia’s visit to Dad’s budinka.(What disgusts me is that Sophia doesn’t have powerful ideas, reconfirm. What kind of stars are they? Dad didn’t bother her. Maybe this is better: why should I teach my daughter?! Sentimental novels, Kuznetsky Mist, “Mother’s Friend” - a Frenchwoman, hired by her father, secular tiles - the axis of the star drew from the knowledge of life, reasonable from nature, Sophia did not give up her spiritual life and created her vision of the world from whom she saw the lady, the patron of the weak kih, and I forgive him a lot.)
What influenced Sophia’s production before Chatsky?(Chatsky’s arrival, his activity, his words about those who became dear to her, Sofia took (and rightly so!) as an attempt to tell her about the world. I think that if Chatsky would be careful about his words (especially about Molchalin!), he would she fought with him, proving that she was right, and so, her anger and vigor screamed in her as a witch of the position before (even though she believed in Molchalin’s love). girlish , I allowed myself to be fooled like that.) Material from the site
How did Sofia learn her cruel lesson?(I think it’s worth changing it, although I don’t think it’s better. Perhaps Molchalin’s hypocrisy destroys his faith in people, in their generosity and decency. Why should we deprive life of it? , there were no significant interests before, The same stars are connected with them.

The foldability of the installation to Sofia is inevitable.(Yuna Famusova is sown with rubbish. After Chatsky, it is the most tragic to stand in comedy).

Since Oleksandr Andriyovich Chatsky in Griboedov’s comedy is the most realistic, sensible figure we can relate to, then the image of Sofia Pavlivna is the most complex and super-satisfied of all, and to this day but it’s more important to understand your goal.

While you are not familiar with any reviews, reviews of the comedy and articles of many Russian writers about the song, you read them without anticipation and are able to formulate your own thoughts about each of their heroes. From the first series of comedy we know from Sophia, and from the first act itself through replicas personalities We are starting to figure it out. What kind of place do we see there?

This is a sensible, romantic girl, inspired by French sentimental novels, which were widely available in abundance. Russian Federation and were especially popular among young people. Sofia is like all the girls of that time: having read these books, she spontaneously indulges in romantic dreams about Happy Kohannya. How does she represent it? Something like this: a rich girl will fall in love with a poor, handsome young man, and she will also adore her.

Having matured in such a manner, she finds her ideal in the cunning and impertinent Silence: he seems to her to be modest, reasonable, tender and mercilessly loving. We all know that he is not like that, and Sofia is almost blinded and ready for a lot of things. Sophia befits these vast khans. And these amends are the faults, and the marriages from whom she took possession.

No matter how romantic she may have been, no matter how noble she was among her gentry, she would still have to meet her middle class. And Chatsky is completely different. His very intelligence and difference from others, “normal” ones, distinguishes Sophia from Chatsky: she is foolish and distant. For the sake of decency, she encourages him Mutually I don't think I'll be able to live until there's another living thing. Chatsky has mercy: Sofia never loved him. Who's completely honest?

But, having completely grown tired of Chatsky, she spends the whole hour rushing between him and her husband, she breaks her middle and accidentally becomes Chatsky’s enemy. Vaughn is hesitant to encourage feelings about God’s Chatsky, and in this respect he does not compromise with others: Famusov himself and his guests.

The special thing about Sophia’s drama is that she is fooling Molchalin. Having moved to the side of Molchalin and the people of the Famus stake, they immediately reveal what is going on Nevisoki People. And it seems to me that, after all, she understands that she has had deep mercy. Even if she is not of little intelligence, she would not have been able to recognize this.

“She also took away her million torments,” says Goncharov. And right: the image of Sophia is deeply tragic. This soul is sealed, sweetened by this marriage, and it is a blessing. Regardless of anything, Sofia is the most desirable to emerge from this “Famous” row, she is rather a victim, a persecutor of all that is bright. And this is what I deserve.